12th October 2014
What happens behind
the scenes to pull a certain something together - is the marvellous element of
art that perhaps holds one perplexed.
The annual Art Exhibition
at ‘Cluain’ – a picturesque backdrop of green, life and activity is a stage for
such pieces and their masters. This year on the Macdonald family farm, Hamish
& Christa welcomed participating Artisits to reside for several days to
prepare the farmyard lacuna for those to marvel.
From the Shearing
Quarters and veranda, through the pasture around the goose pond where one could
interact with the feathered honkers with a sound piece by Sculpturer Mark de Nys. Looping
over the cattle grid and through Hamish’s tin and paint splattered room of
requirement. Evidently, a master’s studio, where time is lost and form found.
This section of the sculpture walk had every Exhibition punter chin wobbling.
The Shearing Shed
opened her doors and walls to Michael Collett’s still life photography of
fruits that he has cultivated on his Barossa property. Rose
Ampt as the local Milliner from Millicent. Gray Hawk Furniture design, one tenderly touched for its flawlessness. Lady
Jewellers, Kerrie McCarthy and Kirsty MacCurdie with swarming females for silver
and shine. Yet again, further Mark de Nys sculpture that spells out patience
and timeless like no other.
The breeze maintained
the movement and olfactory experience of a sheep’s domain in the tall, timber
and iron structure. The wool clusters swept the unswept floor and down the
shoots as people created movement.
My efforts with the
bean of caffeine were of that rewarding nature. The assemblage of my Hottop
Coffee Roaster helped with the explaining of that behind the scenes work of your
morning latte. My contribution to ART IN THE STICKS was palatable, offering difference
to the two and three dimensional forms over the weekend.
Of palatable offerings,
Simon Burr with a knife and a mobile kitchen took to the cook of a Sunday
Long Lunch in the shearing shed. Ninety three sat to two LOoooNG
trestles, dressed for a day of colour. Platters to share of pearl white new season
Lobster, oysters, prawns. Mussels and cockles in broth. A ‘Cluain’ steer called
‘Lunch’ certainly lived up to that expectation. Simon kneaded Ciabbatta and Pane
Pugliesi breads for mopping up a Red wine glaze that had simmered for days.
Josh Rawiri played string
and didge as melody for chewing and chatter.
All tools were down
as diners and weary exhibitors drifted out into a dimming farm yard. A Hamish
Macdonald with a jerry can on a buzzing motorbike cleared the air with a douse
of juice and a light. A pyramid of dead red gum limbs created a framework for
flame, warmth and spark. To finish several days on a note of such couldn't
have been better.
ART IN THE STICKS - long weekend, October - annually.
ART IN THE STICKS - long weekend, October - annually.
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